![]() He actually survived and was taken as a prisoner to New York, then to London, and then to Bath for treatment of a still unhealed wound. ![]() Dieskau, wounded three times, had his life saved by Johnson, who protected him from the Mohawks wanting revenge for their killed kinsmen. After having repulsed an attack against their camp, the British and their auxiliaries took over. Īlthough the subject matter and some "physical and symbolic details" could be found more closely corresponding to the Battle of Fort Niagara (1759), the painting is usually related to an incident that occurred during the campaign of 1755 around Lake George, when the French commanded by Baron Dieskau, with their Indian allies, were opposed by a mixed troop of Mohawk and New England militia, led by Johnson. Whereas in the Italian painting, accuracy and authenticity were intended to give a generic representation of the Indian life, the new one employed them to make a report of a recent historical event. Thus it provides us with one of two known contemporary pictures of the British Light Infantrymen for the French and Indian War period. Following The Indian Family, a painting of about 1761, this one demonstrates the same willingness to show "the proper dress and accoutrement". īenjamin West probably began this painting soon after his arrival in London, in 1763, when West returned from Italy, where he spent three years. ![]() West is known to have had a collection of North American artefacts which he used in his paintings. The painting has fine detail on the indigenous figure, whose plucked scalp and tattoos are shown in more detail than the Europeans' uniforms. He claimed to have been first taught how to make paint by a Native American childhood friend who demonstrated how paint could be made by mixing clay with bear grease. It depicts Irish soldier Sir William Johnson preventing an indigenous auxiliary from taking the scalp of Baron Dieskau, a wounded and defeated French soldier lying on the ground. The painting is important as it is a contemporary view showing all three major groups involved during the French and Indian War (which could be called more comprehensively "the British, French and Indian War" ). It depicts a scene during the French and Indian War, and was painted a few years after the event depicted in the painting, and is now in the collection of Derby Museum and Art Gallery. General Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian is a painting by Benjamin West, completed between 17.
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